Sunday, August 3, 2014

During Lent a brief verse of acclamatory character replaces the Alleluia and is sung in the same way


The renewed vision of Lent that emphasizes both Baptism and Penitence serves as a reliable guide to musical strategy. This vision is conveniently summed up in the Circular Letter Concerning the Preparation and Celebration of the Easter Feasts, Paschales Solemnitatis.
Emphasize in our liturgical catechesis that we are entering baby names our Lenten celebration with all the members of the Church, baby names including the glorious dead. Litanies have also been said to make the church building itself seem to breathe: baby names the respiration-like alteration of petition and response can actually seem that way. The singing of the litany can have a calming, centering, respiratory effect on the assembled body, rather baby names like that of the Jesus Prayer on the individual body. Do anything you can to make the singing seem organic and inevitable – no awkward, unexpected pauses or attempts at “dramatic effects.”
The Vatican Circular Letter includes a healthy baby names reminder baby names that a reason we sing is to “facilitate the participation of the faithful,” and therefore the opportunities for singing should not be taken away by those in leadership. The same principle rules this statement: “In larger churches where the resources permit, a more ample use should be made of the church’s musical heritage, both ancient and modern, always ensuring that this does not impede baby names the active participation of the faithful.’ If the first statement may be a useful reminder to priests not to exclude singing on a whim, then the latter should restrain music ministers who may be tempted to let the more elaborate music get out of balance.
It would seem important that we regard all these principles (not just our favorite ones) with respect and sensitivity, with adaptations both embodying the principles baby names and being mindful of local conditions. Our liturgies’ partial musical fast can be one more fruitful element in preparing us for a more abundant Easter feast.
Characteristics of this season is the change in the text for the Gospel Acclamation. The Alleluia is not used from the beginning of Lent until the Easter Vigil. baby names (General Norms for the Liturgical Year and the Calendar # 28) Alleluia is omitted in the Liturgy of the Hours and in the Mass wherever it is found both verbal and visual. In the spirit of penitence, the liturgy “abstains” from the Alleluia. This is true at celebrations of the funerals, weddings, baptisms and confirmations as well.
During Lent a brief verse of acclamatory character replaces the Alleluia and is sung in the same way (2002 IGMR #62 b) or else we observe silence. If the Gospel Acclamation is not sung, it may be omitted.
The texts that replace the Alleluia in this season keep us mindful of the purpose of the Gospel acclamation. We sing to honor Jesus Christ, whether in the festive Alleluia baby names or in other, more subdued expressions of praise. The Gospel Acclamation, along with the ceremonial that takes place at the proclamation of the Gospel, enshrines the event with great dignity. It elevates this reading above all others, just as the appropriate use of the Book of the Gospels calls attention to this reading above all others.
Because Alleluia means “Praise God”, baby names the substitute acclamation is a kind of English translation of the Hebrew, which seems strange. Lucein Deiss, CSsP used to ponder puckishly if God does not understand Hebrew during Lent. Still, this alteration of the usual pattern in greeting the gospel remarkably creates a sense of the season, because baby names the Alleluia remains “buried” even on Sundays and solemnities until Easter.
The substitution of a non-Alleluia acclamatory text during Lent reflects an ancient tradition of “fasting” from the Alleluia during the penitential forty days. Some theorists, however have questioned baby names its appropriateness since every Eucharistic Celebration (even during Lent) bears the marks of paschal joy. In the spirit of penitence, the liturgy “abstains” from the Alleluia. This substitution does not signify a diminution of praise. Both text mean the same thing. It is simply a little rubrical playing about to mark the penitential time of Lent. It presumes that “Praise to You, Lord Jesus Christ,” is less joyful than the acclamation “Alleluia.” But this is not the place to debate such liturgical curiosities.
The Te Deum and the Gloria are not said except on solemnities and feasts. The Glory to God is omitted on Sundays of Lent. By suppressing the joyful song of the Gloria, the liturgy places baby names greater emphasis baby names on the Act of Penitence. This gives the whole liturgy a more somber air, suitable for a season of preparation and penance.
From Ash Wednesday until the singing of the Gloria at the Easter Vigil and the celebrations for the dead, the organ and other instruments should be played only to sustain the singing. An exception is made for Laetare Sunday (The Four

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